Hi, I'm Hezekiah.

Studio H

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FOUNDER & CREATIVE DIRECTOR

Studio H is a forward-thinking creative production collective dedicated to high-impact visual storytelling across film, advertising, and post-production.

WRITER & DIRECTOR

The film is currently in development as a grant-funded project for the Puregold CinePanalo 2026 festival.Ang Huling Banlaw ni Susan was written and will be directed by Hezekiah Estorque and Kurt Romulo.

EDITOR & COLORIST

Currently serving as the Editor and Colorist for PAGBATON, an official entry to the 2026 Bantayan Film Festival. I am leading the film's narrative assembly and visual finishing, focusing on emotional continuity and cinematic color grading.

Ngaa Gadula
Mga Problema Ko
Kung Gapanigarilyo Ko?

DIRECTOR

“Ngaa Gadula Mga Problema Ko Kung Gapanigarilyo Ko?” is the first chapter in a three-part experimental series on burnout.In a blinding white void, a lone figure is slowly overtaken by flickers of darkness and voices of doubt, until everything collapses into noise. A single flame cuts through—offering a brief, fragile silence between breath and smoke.I will serve as the director, editor, and colorist for the three-part experimental film series.

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Busalian Kang CAS 2026

Media Director

As Media Director for the UP System’s premier protest pageant, I lead the end-to-end media strategy, bridging pageantry with student advocacy.I directed the full 2025 media cycle and spearheaded the delivery of official video content for the 2026 production.

SKIMMERS ADVOCACY VIDEO

Executed the full post-production for the "Best Advocacy Video" winner OF BUSALIAN KANG CAS 2026, utilizing cinematic editing and color grading to amplify the Skimmers' social commentary.I translated complex protest themes into a high-impact visual narrative that secured the pageant's top advocacy award.

• Link to Full Video

• Link to Full Video

CineMatahum 2025

Through Studio H, I led the post-production for CineMatahum’s “Ano Imo Sugilanon?” advertisement, overseeing the full editing and visual finishing process.I translated the creative vision into a polished final narrative. Moreover, I was one of the cinematographers for the advertisement.

CINEMATAHUM AVP

I spearheaded the post-production and served as a cinematographer for CineMatahum 2025.I was responsible for the visual assembly and editing of the first official AVP, while also capturing key cinematic sequences for the festival's debut video.

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• Link to Film

DOLLYhouse

Producer & Editor

I managed the full production lifecycle and narrative assembly as both Producer and Editor. I oversaw the project from pre-production through on-set coordination and delivery, while shaping the final film’s flow and storytelling clarity in the edit.

Under My Sleeve

Director of Photography

For Under My Sleeve, I served as the Director of Photography, where I was responsible for defining the film’s visual language through shot composition and lighting design.I managed the camera and lighting teams during production to translate the narrative's emotional themes into cinematic visuals.

• Link to Full Video

VAnquish Night: The Purge

Head of Marketing

As the Marketing Head of VAnquish Night: The Purge and the Creative Director of Studio H, I spearheaded the branding and "troll marketing" strategy for VAnquish Night: The Purge, positioning the event as the primary campus conversation despite same-day competition.I also developed a cohesive visual identity and promotional campaign that drove a turnout of 600+ attendees and managed an on-site vintage photobooth that engaged over 400 participants.